Nursing Article Example | Topics and Well Written Essays - 1000 words

Nursing - Article Example The article maintains that the health industry has critical lapses in its implementation of modern technology in its leadership structures. In addition, the author acknowledges the static nature of work environment and the need to restructure leadership policies. Thus, the article compliments health management literature. My Analysis The modern business environment is characterized by scarcity of resources and, hence the need for effective management. Application of technological innovations has been identified as a significant aspect of management in the modern business environment. Although the health sector deals with the inherent problem of people’s health, it requires effective management. This indicates the existence of a legitimate research problem for analysis. The author utilizes both qualitative and quantitative research methods to explore the extent of the problem. In particular, the researcher utilizes quantitative techniques to measure the level of application of information technology in the health sector. This enables him to make a precise comparison of the health industry with other industries of equivalent interests. To complete his analysis, the researcher utilizes qualitative research techniques to establish factors that have contributed to lack of application of information technology in the health industry. ... To enhance credibility of his argument, the author cites primary articles from refereed journals and government publications. The paper concludes its analysis with recommendation that calls for speedy implementation of information technology in the health industry. Areas of first priority include prescription and patient’s progress records. Application I consider the article relevant to the current teaching and nursing practice. It is interesting to note that the health sector lags behind other industries in its application of information technology, despite its significance to the society. This signifies the need to have conclusive restructure of the entire system beginning with training programs for nurses. I consider the problem as a twofold problem due to patient’s contribution. The conservative nature of patients and other beneficiaries of public health services have contributed to the delayed implementation of information system in the health industry. Thus, the p ublic needs relevant training as a prerequisite for the implementation. In addition, there is need to create user-friendly systems that can be utilized by different categories of users. Integration of the newly developed systems into the current work environment should also involve all stakeholders. I consider the issue critical for the sustainability of the health sector and I recommend speedy reforms. Professional Organization â€Å"Factors Affecting Nurses' Decisions to Join and Maintain Membership in Professional Associations† Summary Professional organizations are effective tools in maintain professionalism and social welfare among workers. Although nurses comprise majority of health workers in a given country, most of have not discovered the values of joining

Explain Vince Rizzo's search for identity in the movie City Island Essay

Explain Vince Rizzo's search for identity in the movie City Island - Essay Example This paper will shed light upon Vince’s search for identity in the movie; light will also be thrown upon how he fathered a child in his teenage, who comes back in his life and how things progress from there. Vince is a native of the island, he is uncomfortable with people who come to stay there and bring about unwanted changes, and the opening scene of his voiceover presents the same very comprehensively. Vince is not comfortable with his job, he is a prison guard, and his ambition of becoming an actor is perhaps the most important thing in the movie. He lies to his wife and moves to Manhattan to pursue a career as an actor. There are a lot of misunderstandings in the movie, Vince’s wife thinks that her husband is after some mistress who he has been pursuing for quite some time, Vince’s ambition and several misunderstandings make this movie very intriguing. Vince has several problems which he is completely unaware of, his daughter strips at a club in order to pay her school fees; he meets his step son who he fathered out of wedlock. Vince’s son is addicted to porn on internet and wants to fulfill his fantasies with a girl residing in the neighborhood; these are some of the many problems which Vince was facing. The introduction of Tony, Vince’s step-son brings a huge twist in the movie.

Give an introduction to the political system in People's Republic of Essay

Give an introduction to the political system in People's Republic of China. What is the role of Politburo Standing Committee - Essay Example China’s Political System: China is a socialist state, led by a single party rule, normally referred to as the communist party. This party is recognized by the constitution of China, and the same constitution has provisions on how this party should be led. This includes the establishment of powerful committees such as the politburo and the politburo standing committee (BBC, 4, 2013). The constitution also recognizes four vital institutions whose main roles is to help the party in the governance of the country. These institutions are, the people’s liberation army, the peoples national congress, the state council, and the political consultative conference (Lawrence and Martins, 7, 2013). These are the four pillars in which the communist party of China controls all the affairs of the Chinese. The institution of the state is responsible for implementing the various policies of the communist party. The state is therefore headed by the state council, which includes ministries and various commissions (Lawrence and Martins, 8, 2013). Under the Chinese constitution, the National People Congress (NPC) is responsible for overseeing all the affairs of the state council. The NPC is also responsible for supervising other political institutions such as the Supreme Court, the Presidency, the Prosecutors office, and the military. However, the NPC is under the communist party, and it is therefore unable to carry out its own policies (Military of China, 9, 2013). The political consultative conference on the other hand provides an avenue where the state and the party can consult on various policy issues. The military on the other hand have the responsibility of protecting the Chinese (Security Service, 11, 2013). However, critics argue that the Chinese military is only loyal to the communist party, and not the people of China. Other political institutions in China are the minor parties that were formed before the emergence of the communist party. These parties are eig ht, and they pledged their loyalty to the communist party, accepting its leadership. This allows for the description of the Chinese political system as one of political consultation, and multi-party cooperation, but under the Communist Party (Lawrence and Martin, 14, 2013). The Politburo Standing Committee: The communist party has four important organs representing its leadership. The highest decision making body is the politburo standing committee, followed by the politburo. The next in rank is the central committee, which is thereafter followed by the congress. The politburo standing committee (PSC) is responsible for the enactment and the development of policies. This organ consists of seven people, and each of them has various roles (Lunn, 13, 2013). The members of this committee are also members of the politburo, and they meet once in every week to deliberate on the policies that the government should follow. This is the institution that actually rules China, since their decisi ons is always the law. In arriving at a decision, members of the PSC try to achieve consensus, and if it fails, they take a vote. The simply majority carry’s the day (McGregor, 34, 2012). It is important to denote that the seven members of the PSC are ranked from the scale of one, to seven. Each of them has specific functions, and it can either be in security, propaganda, or foreign relations. For example, the highest ranked member of

Explain Vince Rizzo's search for identity in the movie City Island Essay

Explain Vince Rizzo's search for identity in the movie City Island - Essay Example This paper will shed light upon Vince’s search for identity in the movie; light will also be thrown upon how he fathered a child in his teenage, who comes back in his life and how things progress from there. Vince is a native of the island, he is uncomfortable with people who come to stay there and bring about unwanted changes, and the opening scene of his voiceover presents the same very comprehensively. Vince is not comfortable with his job, he is a prison guard, and his ambition of becoming an actor is perhaps the most important thing in the movie. He lies to his wife and moves to Manhattan to pursue a career as an actor. There are a lot of misunderstandings in the movie, Vince’s wife thinks that her husband is after some mistress who he has been pursuing for quite some time, Vince’s ambition and several misunderstandings make this movie very intriguing. Vince has several problems which he is completely unaware of, his daughter strips at a club in order to pay her school fees; he meets his step son who he fathered out of wedlock. Vince’s son is addicted to porn on internet and wants to fulfill his fantasies with a girl residing in the neighborhood; these are some of the many problems which Vince was facing. The introduction of Tony, Vince’s step-son brings a huge twist in the movie.

Industrialized Poets Essay Example for Free

Industrialized Poets Essay Edgar Allan Poe, Walter Benjamin, and Arthur Rimbaud all lived in the turbulent 19th Century where the idyllic countryside was giving way to the industrialized world. Their poetry reflects the profound impact industrialization’s onslaught had on the world. Starting from Edgar Allan Poe, to Arthur Rimbaud and finally to Walter Benjamin this paper will discuss the effect of industrialization on their respective worldview vis-à  -vis the situation of the world during their life time. A City in the Sea By Edgar Allan Poe Lo! Death has reared himself a throne In a strange city lying alone Far down within the dim West, Where the good and the bad and the worst and the best Have gone to their eternal rest. There shrines and palaces and towers (Time-eaten towers that tremble not!) Resemble nothing that is ours. Around, by lifting winds forgot, Resignedly beneath the sky The melancholy waters lie. No rays from the holy heaven come down On the long night-time of that town; But light from out the lurid sea Streams up the turrets silently — Gleams up the pinnacles far and free — Up domes — up spires — up kingly halls — Up fanes — up Babylon-like walls — Up shadowy long-forgotten bowers Of sculptured ivy and stone flowers — Up many and many a marvelous shrine Whose wreathà ©d friezes intertwine The viol, the violet, and the vine. So blend the turrets and shadows there That all seem pendulous in the air, While from a proud tower in the town Death looks gigantically down. There open fanes and gaping graves Yawn level with the luminous waves; But not the riches there that lie In each idols diamond eye — Not the gaily-jeweled dead Tempt the waters from their bed; For no ripples curl, alas! Along that wilderness of glass — No swellings tell that winds may be Upon some far-off happier sea — No heavings hint that winds have been On seas less hideously serene. But lo, a stir is in the air! The wave — there is a movement there! As if the towers had thrust aside, In slightly sinking, the dull tide — As if their tops had feebly given A void within the filmy Heaven. The waves have now a redder glow — The hours are breathing faint and low — And when, amid no earthly moans, Down, down that town shall settle hence, Hell, rising from a thousand thrones, Shall do it reverence.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   The setting is in a city in the west ruled by death who is worshiped by all. This set is often quoted or at least used for the crafting of gothic films or at work. Death looks down upon all from his high tower, like Sauron atop Barad-Dur. The city has ‘domes, spires and kingly halls, and fanes and Babylon like walls. The poem makes a rather ironic point because the west has always been associated with good and life and the east with evil and death. For example, in Tolkien’s Lord of the Rings Trilogy Aragorn is the goodly Lord of the West while the Sauron commands a legion of evil Easterlings.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Poe speaks of a brooding end of days when ‘the waves now have a redder glow, the hours are breathing faint and low.’ The waves turning red as a sign of hells coming because red is the color of fire and hence the color of Hell and the Devil. ‘and when, amid no earthly moans, down, down the tower shall settle hence, Hell rising from a thousand thrones, shall do it reverence. It would appear that the poem speaks of the city of death as if it were superior to Hell. Rather, as if Hell were subordinate and must pay homage. The end is a creepy scene where the Devil expresses gratitude to the devil for allowing him to come and rule the Earth.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   As can be expected of Edgar Allan Poe the setting is dark and brooding. In relation to the modernization being experienced during Poe’s time it is quite possibly a comment on the widening gap between the rich and poor as a result of industrialization, specifically the factory system. Poe lived in the early 19th Century in his time factories were being setup left and right. People were migrating from the provinces to the cities in order to get jobs at the factories because the cottage industries they used to have were no longer viable. Instead they had to move to cities. The cities were grim gothic environs in their own right. Sanitation, Housing, and food were all in short supplies. The cities were dirty, grimy, disease ridden affairs for the vast majority of the rural immigrants. Life was short and dangerous, they lived miserable lives often working in inhuman conditions for factory owners who ruthlessly abused them. Contrast this with the capitalists who owned the factories. The newness of the factory system meant that laws were not yet in place to protect the rights of the workings. Unscrupulous factory owners worked the peasants to the hilt. Fourteen-hour work days and Six-day work weeks were not unknown. Wages were a scandal, with no wage boards or unions to protect them and with the labor being a buyers market most workers had no choice but to accept the poor wages or be unemployed. As a result, the factory owners could become oppressively rich. In fact, in the Victorian era the Nobles and the now-wealthy Capitalists mingled as equals in the lavish parties of the day. Men like Vanderbilt and Astor could afford to build Palatial estates fit for kings quite possibly at the expense of the wretched workers in their factories. In my opinion, aside from his already dark and brooding outlook and writing style, Edgar Allan Poe was inspired to write A City in the sea by his exposure to the factory system. The oppression of the workers vis-à  -vis the extreme privilege of the owner may have further jaded mr. Poe. He would is not the first, and he was certainly not the last to suggest that Hell itself will rise from the City in the Sea. Moving forward, Arthur Rimbaud’s Une Saison en Enfer or A season in hell was written at the time when he was recovering from a gunshot. The book has had considerable influence on later Surrealist writers it was considered a revolutionary work because it shunned conventional description, straightforward narrative and didactic purpose. His work revolts against naturalism, precision and objectivity. Rimbaud relies on suggestion and evocation rather than concrete depiction. For this paper we will focus on the second poem Bad blood. The poems read like the confessions of a self-confessed scoundrel. And why should it not? Rimbaud had a homosexual lover named Paul Verlaine who later shot him when they broke up. The book was direct result of his shooting and the tumults he underwent while recovering from the wound. Initially the book was unsuccessful. The poem Bad Blood, like the rest of his work, reads like the rants of a self-confessed scoundrel. He explores his pre-Christian, Gaellic origins and emphasizes his alienation from modern civilization. Scholars are at variance as to what the actual theme of his work is. However, the general consensus is that it has to do with the Narrator’s struggle to reconcile the ideals of Christianity with the Hypocrisy and Corruption of Western Civilization. There are many dualities presented and exposed for what they are. In relation to his times the Hypocrisy and Corruption was at its hilt. In those days nearly every European power had colonies overseas. All European nations, at least in the west, professed freedom and civil liberties as inalienable rights. Slavery and serfdom were obsolete and illegal in Western Europe. Yet all one has to do is leave the confines of continental Europe so see that slavery is still widely practiced. I believe that as result of modern printing and communication methods like the Morse code and the AFP news began to travel faster than it did before. This exposed Rimbaud to the many forms of Hypocrisy and Corruption that crippled the morale fiber of Europe. For example, Africans are treated as second-class citizens in their own country. They are forced to work inhumane conditions in the mines, plantations and farms of their European masters for little or no viable compensation. Civil liberties are denied to colonials to the hilt, in the Philippines the Spanish are allowed to beat up the locals just for not showing them the proper deference. In fact, he did not have to go very far. There were many reports of women and children working in English coal mines. They even went on strike to protest their inhumane wages and working conditions. Normally news from England would take days or even weeks to reach continental Europe and vise versa but thanks to the telegraph a worker’s strike in Paris can be known to Londoners as quickly as the next day. Finally, Benjamin’s work was perhaps the most heavily affected by industrialization. In fact, his book Paris, Capital of the Nineteenth Century is almost entirely about the advances and changes brought about by the rapid industrialization of the bygone century. The book outlines the changes in almost glowingly utopia perspective. This is in contrast to the dark, brooding and negative views of the previous authors. For example, the first chapter â€Å"Arcades† points out that material and social conditions that makes Arcades possible. With the advancement of capitalism, Arcades have become obsolete, replaced by the department store. As an aside, Benjamin refers to Arcades as almost utopian paradises. The next chapter about Daguerre photography mentions the role of photography in transforming art. The chapter also mentions how photos become a commodity and emphasizes the commodity trade of photographs in relation to portraits. Benjamin will later refer to this as unconscious optics. The fourth chapter points out how the rapidly industrialized world has successfully separated home from work. In the olden days of Agriculture people worked that land where they lived. In his day people traveled quite far to reach the factories and shops where they worked.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Simply put, Benjamin chronicles the changes that industrialization has brought about. It is appears he view industrialization as positive since there are few mentions of the negative aspect of it. Instead Industrialization is viewed positively as a means to improve the lives and livelihoods of people.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Industrialization brought about massive changes during the 19th century. Poets and writers as purveyors and chroniclers of the people’s world-view are not isolated from these sweeping changes. These authors are just a few examples of how the great changes of their times greatly affected their styles.

Typical Family

Typical Family As society has evolved, so has the idea of the typical family.  Historically, the idea of family  consisted of one father (the King of the Castle, so to speak), one mother (often the family matriarch) and a child or children, all of whom are biologically related. The image painted around the All American Family  is one that includes a beautiful house with blue window panes and a white picket fence, set right in the middle of middle-class, suburban America. While families that do fit this stereotype continue to exist, many of todays typical American families have the roles of the parental units filled by not just one mother or one father. Parental roles are being filled by grandparents, aunts, uncles, elder siblings, adoptive parents, single parents, co-parents and/or step-parents. The children in these families may or may not be biologically related to the parents or caregivers; if the children are not biologically related they are usually adopted children, foster children, or step-children. Families such as these are often referred to as blended families . The term co-parenting  is sometimes used when two parents of a child are not married to each other. The same term is also used when referring to a family that has two lesbian mothers and/or two gay fathers. Although there is open opposition to gays and/or lesbians being parents or wanting to be parents (whether biologically, foster or adoptive), studies show that people around the world support and acknowledge these types of families. According to Gary Gates at the Urban Institute, as of May 30, 2003, the amount of lesbian mothers has grown to between one (1) and five (5) million; the amount of gay fathers has grown to between one (1) and three (3) million; and there are eight (8) to ten (10) million children who have one or more gay or lesbian parent.1 Mr. Gates further states that, 96% of all U.S. Countries have at least one same-sex couple with children under the age of 18  in their household.2 If one were to compare these numbers to the numbers that would be presented of tr aditional families, these numbers seem quite minimal; however, in the fight for gay and lesbian rights, these numbers are encouraging. Because the numbers continue to increase each day, they are also a testament to the desire of gay and lesbian parents to be seen as equivalent members within their communities, Lesbian, Gay, Bi and Transsexual (LGBT ) community or otherwise. Societys general outlook on gay and lesbian parenting is also changing. According to a poll conducted by the Wall Street Journal (1999), one-third of poll takers endorsed same-sex marriage and unions. These same people would most likely endorse same-sex parenting. Though there is acceptance and welcome for people in the LGBT community to openly parent and raise children, gay and lesbian couples and individuals still face many challenges from others who are not so open minded. Some people have argued that homosexuality is a mental disorder, therefore are of the opinion that members of the LGBT community should not be able to marry or have children. The American Psychiatric Association declared that homosexuality is NOT a mental illness [emphasis added] in 1973.3 The American Psychological Association adopted the same measure in 1975. As psychology was one of the first disciplines to study homosexuality in depth, psychologists have discovered that the fear of being gay (or homophobia ) has played a key role in anti-gay attitudes and behaviors of those who disagree with the gay lifestyle. Though this finding has helped people better understand the reasons certain people are uncomfortable or against the LGBT lifestyle, it has not completely neu tralized the unfounded fears that some people have. There have been some arguments that gay or lesbian parents will molest their children, biological or otherwise. The Child Welfare League of America studied and concluded that, the likelihood of homosexual adopters molesting children placed with them is no greater than it is for the general population. 4 Roland Summit, M.D. concludes that, the vast majority of offenders are heterosexual men. Male offenders who abuse young boys maintain adult heterosexual relationships. The habitual molester of boys is rarely attracted to adult males.5 The premise that ones sexual orientation defines that person as a pedophile has been proven false time and time again. This particular fear has propounded multiple studies, most, if not all, with the same generalized conclusion. The American Psychological Associations policy statement regarding placing prospective adoptive and foster children within gay or lesbian homes reads, in pertinent part: The picture that emerges from research is one of general engagement in social life with peers, parents, family members, and friends. Fears about children of lesbian or gay parents being sexually abused by adults, ostracized by peers, or isolated in single-sex lesbian or gay communities have received no scientific support. Overall, results of research suggest that the development, adjustment, and well-being of children with lesbian and gay parents do not differ markedly from that of children with heterosexual parents.6 This policy has generously helped LGBT parents to fulfill their dream of having a family through the adoption process.

Cowboys in Kilts: The Failure of the Scenic in Rob Roy & Braveheart :: essays papers

Cowboys in Kilts: The Failure of the Scenic in Rob Roy & Braveheart There was recently a cartoon in the New Yorker magazine.The cartoon shows a group of kilt-clad Highlands charging up a hill, claymore swords drawn and waving, as one of them says to another, "You know, if we didn't wear this damn skirtsmaybe we wouldn't have to defend our manhood every five minutes." My analysis begins, as it will end, where most cowboy movies begin and end, with the landscape.Western heroes are essentially synedoches for that landscape, and are identifiable by three primary traits: first, they represent one side of an opposition between the supposed purity of the frontier and the degeneracy of the city, and so are separated even alienated from civilization; second, they insist on conducting themselves according to a personal code, to which they stubbornly cling despite all opposition or hardship to themselves or others; and third, they seek to shape their psyches and even their bodies in imitation of the leanness, sparseness, hardness, infinite calm and merciless majesty of the western landscape in which their narratives unfold.All of these three traits are present in the figures of Rob Roy and William Wallace--especially their insistence on conducting themselves according to a purely personal definition of honor--which would seem to suggest that the films built around them and their exploits could be read as transplanted westerns.However, the transplantation is the problem for, while the protagonists of these films want to be figures from a classic western, the landscape with which they are surrounded is so demonstrably not western that it forces their narratives into shapes which in fact resist and finally contradict key heroic tropes of the classic western. Howard Hawkes' 1948 Red River will serve as our example of the western model.The opening credits rise literally out of the landscape, and we're told in the opening narration that this is a story of the landscape, in that it recounts the first major cattle drive along the Chisholm trail from Texas to Abeline, Kansas.In the 1st scene we see a vastly open prairie with a small wagon train almost lost in its expanse.We discover immediately that Dunson (John Wayne) is leaving the wagon train to strike out on his own.The signature trait of Dunson is the first of the western hero's trademarks: once he's made up his mind, "nothing anyone says or does can change it"; despite the entreaties of the wagon master and his putative girlfriend, Dunson sets out south with only his friend, Tom Groot (played by Walter Brennan). Cowboys in Kilts: The Failure of the Scenic in Rob Roy & Braveheart :: essays papers Cowboys in Kilts: The Failure of the Scenic in Rob Roy & Braveheart There was recently a cartoon in the New Yorker magazine.The cartoon shows a group of kilt-clad Highlands charging up a hill, claymore swords drawn and waving, as one of them says to another, "You know, if we didn't wear this damn skirtsmaybe we wouldn't have to defend our manhood every five minutes." My analysis begins, as it will end, where most cowboy movies begin and end, with the landscape.Western heroes are essentially synedoches for that landscape, and are identifiable by three primary traits: first, they represent one side of an opposition between the supposed purity of the frontier and the degeneracy of the city, and so are separated even alienated from civilization; second, they insist on conducting themselves according to a personal code, to which they stubbornly cling despite all opposition or hardship to themselves or others; and third, they seek to shape their psyches and even their bodies in imitation of the leanness, sparseness, hardness, infinite calm and merciless majesty of the western landscape in which their narratives unfold.All of these three traits are present in the figures of Rob Roy and William Wallace--especially their insistence on conducting themselves according to a purely personal definition of honor--which would seem to suggest that the films built around them and their exploits could be read as transplanted westerns.However, the transplantation is the problem for, while the protagonists of these films want to be figures from a classic western, the landscape with which they are surrounded is so demonstrably not western that it forces their narratives into shapes which in fact resist and finally contradict key heroic tropes of the classic western. Howard Hawkes' 1948 Red River will serve as our example of the western model.The opening credits rise literally out of the landscape, and we're told in the opening narration that this is a story of the landscape, in that it recounts the first major cattle drive along the Chisholm trail from Texas to Abeline, Kansas.In the 1st scene we see a vastly open prairie with a small wagon train almost lost in its expanse.We discover immediately that Dunson (John Wayne) is leaving the wagon train to strike out on his own.The signature trait of Dunson is the first of the western hero's trademarks: once he's made up his mind, "nothing anyone says or does can change it"; despite the entreaties of the wagon master and his putative girlfriend, Dunson sets out south with only his friend, Tom Groot (played by Walter Brennan).